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2014, 01, v.35;No.137 58-63
“女性”的在场 “女人”的缺席——《白鹿原》女性形象解读
基金项目(Foundation): 陕西省教育厅科研计划项目(12JK0392)
邮箱(Email):
DOI: 10.16601/j.cnki.issn1002-5227.2014.01.004
摘要:

父权制下文学作品中的女性形象可以被区分为屈从、反抗及疯狂等三类。但由于其心理及人格结构的差异,"女性"和"女人"的概念也不完全等同。《白鹿原》虽然涉及到了45位女性形象,却因陈忠实不能超越其文化背景、男性视角,最终造成作品在场的大都沦为屈从、依附于父权制而丧失由自然人属性决定的人格结构中的反叛和独立精神的"女性"形象,而缺席的恰是与以心理及人格结构独立而完整为标志的"女人"的这个概念相称的人物形象。

Abstract:

Generally,in the literary works,the female images of the patriarchal society can be classified into three categories:subservient,revolted and crazy ones.However,for the differences of the psychology and physical structure,the concept of"female"and "woman"are not exactly the same.In White Deer Plain,there are 45female characters;however,due to the author Chen Zhoushi,who is subject to his cultural background and the male's point of view,the present images are the"women"who yield to the patriarchal society without the natural person's independent and rebellious spirit.Therefore,what is absent is the"female"that possesses the independent psychology and personality.

基本信息:

DOI:10.16601/j.cnki.issn1002-5227.2014.01.004

中图分类号:I207.42

引用信息:

[1]杨一铎.“女性”的在场 “女人”的缺席——《白鹿原》女性形象解读[J].广西师范学院学报(哲学社会科学版),2014,35(01):58-63.DOI:10.16601/j.cnki.issn1002-5227.2014.01.004.

基金信息:

陕西省教育厅科研计划项目(12JK0392)

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